4 Chapters is a sculpture. The four grey sculptural forms consist of hollow geometric shapes at the top and solid hemispheres at the bottom. The cover briefs them as if it is the block standing ahead. The audience experiences the work by walking around it and poking them to make them sway. Chapters “hear” words and wobble along but remain stubborn on the determined path. How to identify the shapeless road and the cognitive box when the whole world is moving? So, making briefs and extracts by painstakingly swimming backwards against the current of time seems an easier way, tasting the fountain of memory and archive of the world, guessing the answer behind the cover of the book.